Congratulations to Breanna and Rimo. It was such an honor to be a part of their wedding. Breanna and Rimo were married in the Gilbert, Arizona LDS Temple with a reception at Noah’s in Chandler. Enjoy the slideshow.
Tag: Arizona Wedding Photographer
They were married at the Grand Canyon on Shoshone Point in a small, intimate affair in the largest cathedral on the planet. The vast and stark majesty of the canyon must have provided an extreme contrast to New York, their home. Rising cities and blue oceans to rock cliffs that fall thousands of feet into the earth. If you are going to have a destination wedding, you may as well make it somewhere completely different than home… and they did.
Here are a few of my favorite images from the wedding.
I loved this little necklace hanger. It gave me about 15 minutes of entertainment while Megan was getting her makeup done. I ran around the room collecting the items you see in the photo. There are a number of these items that are special family heirlooms. The old and the new, all together.
The rooms at the El Tovar (and all the hotels at the Canyon) are very small, so you take the space you can find and work within it. I suppose we have to remind ourselves when this hotel was built. I know it is young by European standards, but here in America, something that was built in 1905 is pretty old and it seems that people did not need much space back then. Have you noticed the small hard sided suitcases they could carry their entire life’s wardrobe in? I rest my case…
I loved this shot. There was a lot of flare from the window, so the film treatment helped to enhance the mood and feeling of the image. I love how the light wraps around the bride and through the dress.
Both the ring and the handkerchief are old, so we aged the image a bit to work with the age of the items. I love that she chose a dress that has the same antique nature with a little extra sparkle. It all works together quite well.
Late July, early August in the canyon is the monsoon season. So you may get rain any given afternoon. So, if you are getting married there, durring that timeframe, you have to be flexible with your timeframes. I asked Megan to track the rain the day before the wedding and note the times it rained. Armed with that information, a little observation of the clouds positions and movement and with a little prognostication, we made the call that we should move the wedding up an hour to avoid any rain. And it was perfect.
The broken cloud cover was beautiful and it never rained on the wedding. I think it may have rained a little later that evening, but the weather was absolutely perfect throughout the entire wedding and portrait session. And the light, while occasionally harsh as the sun broke through a cloud here and there, was full of drama.
You know, I am usually much more interested in long lenses and shallow depth of field, but when you have skies and vistas like this, wide lenses and small f stops start making a lot of sense.
You know, when I was young, I spent time photographing the Grand Canyon (this is when I thought I would be the next Ansel Adams), but I couldn’t make an image of the canyon that was anything but boring. Of course we all know that practice makes a big difference, but I think that I just saw the canyon as a big hole in the ground. It wasn’t until I started photographing weddings at the canyon that I started making interesting photographs of the canyon. I have a few ideas as to why that is:
1. When you are shooting a wedding, you are in the same place for a long time, and you have time to observe things as they change. Being on the edge of the canyon during a wedding is fascinating. In a church, you are looking at the same walls, the same candles, the same pews for the duration of the ceremony. And while you are looking to make interesting vignettes and grand images of the space, the space does not change. In the canyon, every minute brings a new lighting scenario, a new cloud formation, new shadows, new highlights… it is alive with activity. Let’s suppose I had spent that kind of time at the edge of the canyon when I was younger. Perhaps I would have found a moment that was worthy of a photograph.
2. I am shooting for a client who expects to see the beauty they saw during their wedding day. So, I am really “working” on my compositions and my exposures and my ideas. I don’t think I was ever as dedicated to making a great image as when I started having someone pay me to make them. With a fee comes a lot of pressure to perform. Good thing I thrive under pressure.
3. I found meaning in what I was doing. In my youth, I was just taking pictures, with no direction, no purpose. But now, everywhere I go, I have a story to tell, I have a book in my head that I am trying to complete. I know what I need to tell the story. I am often surprised with new sideline stories, events and ideas, but I am always keenly aware of what it takes to tell the story. This internal “shot list” makes the entire experience meaningful and keeps me engaged. To say nothing about how important this event is to my clients… this just serves to amplify and heighten the meaning of my work. I am not just telling A story, I am telling THE story of their life! Knowing that, makes the purpose of telling the story absolutely critical. And knowing what you are doing matters, makes all the difference.
So when you see a beautiful photo of the Grand Canyon, you think, “oh, that looks beautiful,” but then you see a beautiful image of the canyon on the moment two young people said “I do,” it means a lot more to them and maybe even to you.
Daniel is one cool cat. I love this shot. It looks like he is ready to take off backward over the canyon. We had some strong sunlight breaking through the clouds during our portrait session, so we pulled out the large soft box to help wrap the light around the right side of his body a little more. Just filling in the natural shadows a bit is all that needed to be done. The sun was doing the bulk of the work for us.
Eirc Greenhaulgh (my second photographer and assistant) was tasked with hanging that large soft box over the edge to get around the groom and fill in the shadows on this next one. At one point, I had to talk Eric into backing off the edge a little. I’m pretty daring, but he was crazy! I think there is an ancient proverb that says something like, “When a man is holding a 30×40 inch sail, that man should not stand on the edge of a 800 foot cliff.”
If I had ordered the light, just the way I wanted it, I would have asked for the light happening in the background to happen throughout the entire canyon, but once I brought it back into the studio and stared working on the images, I found that I responded to the darkness in the bottom left hand corner of the image. It seems to heighten the drama to see the cliff overlooking not only a deep precipice, but a rich darkness. It almost seems that the light emanates from the bride. Sometimes, we are better off not getting exactly what we want, because the results are better than we might have concocted ourselves. When you photograph in locations like this, you are really in collaboration with the earth itself and its Maker.
Megan had a moment where she needed to sit down for lack of food (she had not eaten enough during the day). So Debra (our stellar GC Coordinator) ran some granola mix and water down to us. Well, Megan had taken a seat right there on that rock and Daniel stood by her side for support. As we talked, I saw the perfect photo. So, we relaxed for about 15 minutes and then, when she was ready to go, I told her to stay where she was and we got this shot. It is one of my absolute favorite shots of the day. So while I would like to remind all brides to make sure to eat throughout the day to avoid getting a little light headed, we would not have ended up with one of my favorite shots had Megan not needed a little break. She kept appologizing, but really Megan, we can’t thank you enough for needing a break.
I suppose the point should be made (and I tell my brides this all the time) that it doesn’t matter what they are doing, I am going to be getting great images of it. Even sitting down because you feel a little light headed… yep, we’ll get a great shot! That’s what is so exciting about the work I do. I am challenged moment to moment to create something great no matter what is going on. That’s a fun kind of pressure.
Thanks again to David & Debra Joaquim, who put together the entire wedding. Debra does such a great job accenting the natural beauty of the canyon and both of them do a great job officiating and watching over their clients.
I love these next two shots of Daniel and Megan. Just candid shots after the wedding.
On our way back to the El Tovar Hotel we had to stop the car for this sunset. I would have preferred to get to higher ground, perhaps a balcony, etc, but those colors only last for seconds. Good night!
Wedding Photography by Jared Platt, Platt Photography
Wedding Location: The Grand Canyon, Shoshone Point
Wedding Officiant: David & Debra Joaquim
Post production by Shoot dot Edit
Wedding Slideshow music by Sparrow, courtesy of Triple Scoop Music
Yesterday, I posted images from Megan and Ian’s wedding at The Farm at South Mountain in Phoenix Arizona. Today I am posting my favorite details from their wedding. Enjoy.
Buttons and fabric! That’s what made up the bride’s bouquet. Beautiful, don’t you think?
Here is a cool way to carry the rings down the isle. The ring bearer simply carried the book down the isle. I loved the idea.
Sections of the long banquet table were identified with a very small chalk board. Everything was on chalk boards.
This was a great cake top. I especially loved the scrabble letters. Although you don’t get many points for an I a D and an O.
The fans doubled as the program, or should I say that the other way around? They were cool… in more ways than one.
No wedding cocktail hour is complete without a game of “Corn Hole.” I loved all the games they had for people to play during a long enjoyable cocktail hour.
Like I said, everything was on chalk boards. What a great way to post signs all over that don’t distract from, but add to, the visuals.
In keeping with the overabundance of beards, those who did not have facial hair could don a mustache for the moment by sipping from their straw.
In keeping with the Quaker style wedding theme, the wedding banquet table was one very long table rather than many round tables.
Ian and Megan were married at The Farm in Phoenix, Arizona. The wedding and reception all occurred outdoors on one of the last pleasant days before the heat started picking up here in Phoenix. It was a beautiful day and the wedding was perfectly simple and full of fun. Here are a few of my favorite images from the wedding.
Both the flower girl and the ring bearer were as cute as they come, so there were so many great shots of them. But this is a blog about the wedding, so I will try to keep the shots of the kids to a minimum. The flower girl was always ready to pose for me.
The guys were all in casual wedding attire. The whole thing was done with a kind of quaker style, which was so very cool. I loved everything about it.
The bouquet was made from fabric and buttons and together with the texture of her dress and the 20′s style veil, the bride was absolutely perfect.
The Farm is a great location for this kind of a wedding (any kind really) but this wedding really fit in. I told Ian and Megan that they couldn’t have chosen a more prefect place in Phoenix to match their wedding style.
This is also where I mention again how important post processing style is to a wedding. The way we treat an image after it is captured changes the way it reads, which should be very much in keeping with the feel of the wedding itself. And the image treatment on this wedding is a perfect example of how effective that can be.
This is the way group photos were meant to be. Are there a few where everyone is looking at the camera? Yes, but this is the one that should be used in the album or printed for the wall. Too many people and too may photographers see it as an either or situation. Either it is a portrait or it is documentary. If it is done well, it is both.
Here’s the ring bearer. You’ll love every shot of him.
There were more beards at this wedding that I have ever seen in one place. I have never been to a beard convention, so I don’t have much to compare this to, but there were a lot of beards. I enjoyed taking portraits of everyone sporting their cool facial hair.
So, when you are shooting family portraits at a quaker style wedding. You should shoot them in the right way. There’s no question, this was the right way to treat the family portraits.
Not posed. These little kids were gold mines all day long!
They look good together. And I love her shoes.
Seriously. Can you be any cooler than to have hula-hoops at your wedding cocktail hour?
Well, you can! Instead of doing a first dance, you could perform a first song together! That was pretty cool!
Sparklers are always fun too!
I put this last image in here to make a quick comment about this band. “What Laura Says,” is the name of the band. They have to be one of the tightest bands I have heard in a very long time. Every song, original or covered, was fantastic and the covered songs had their own unique spin on them. If you have a chance, go see What Laura Says, buy their music on iTunes or hire them to play at your wedding. I stayed an extra hour past our official end time, just to hear their music.
Slideshow Music by Mindy Gledhill, Courtesy of Triple Scoop Music
Location: The Farm, Phoenix, Arizona
Band: What Laura Says
My wife and I have known Allie since she was in high school. Neither one of us thought that there was a man out there as cool as Allie, but of course Allie had to prove us wrong . . . . and found the lid to her pot. I had the pleasure of spending the afternoon with Allie and Tyler in a grove of pistachio trees in Gilbert, Arizona. Here are some of my favorite images:
Note to self: buy mirror sunglasses.
I had a great time playing with the colors in this photo. If I were 14 I would say it looks “chill” even though it is warm.
Long before he fell in love with Allie, Tyler fell in love with the outdoors. Not one to shy away from a little competition, Allie drummed up this little number to catch her man’s eye. I was laughing the entire time we were shooting. Which is problematic because laughter creates camera shake. But I kept it under control.
In today’s world of social networking we have all at one time or another written up a personal profile – a brief description of who we are and of the events that have occurred in our lives to make us that way. I told you that I have known Allie for a long time. Her personal profile is full of strength, hard work, optimism, and survival. I am so pleased with this next shot of Allie. It does what photography does best and provides a visual representation of that description of who we are and the events that have made us that way.
Is it possible that Tyler likes her even better without the antlers?
As the sun set, I opened up the aperture on my 50 mm 1.2 lens all the way to 1.2 which gave us this extreme limited depth of field. I told Allie and Tyler I was going to be making some extremely grainy old looking photographs. They were excited about the idea. I think they turned out well.
This is definitely on of my favorite shots of the day. The grain, the encircling branches, the soft light. It is all there.
Ever the hunter!
Tyler brought several deadly weapons to this photo shoot . . . and I just brought my camera.
Photography by Jared Platt, Platt Photography
Location: The Groves, Gilbert, Arizona
Slideshow Music by Fisher, “It’s a Beautiful Life,” courtesy of Triple Scoop Music.